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Wednesday, January 31, 2018

The Mandala of Kant and Longchenpa


I have suggested, that a human being seems to have two aspects: an energy-aspect and a consciousness-aspect. Seen from the energy-aspect lawfulness rules: your body is subject to the physical laws of nature (both classical laws and quantum laws); your psychic system is subject to the lawfulness of the energy fields and of the energy transformations: compensatory karma. The psychic system is what I refer to when I talk about thoughts and mind.

Seen from the consciousness-aspect, then a human being seems to be akin to the wholeness, to be transcendent in relation to these lawfulnesses (also the quantum laws). The wholeness is one and the same as reality. So, in my view consciousness, wholeness and reality is one and the same. Please give this a moment of reflection. Awareness seems to be a quality of the now, and therefore a quality of life itself: nature. Many ancient Indian scripts say that the Universe is in meditation, or rather: the Universe is one great meditation! When you are in the Now life, nature and universe expands. Awareness seems to have the qualities of openness and spaciousness. Unawareness closes these qualities. We can all experience this quite easily. Take a walk in the forest. Unawareness, or distractedness, cause that we don´t see the nature we are walking in. Awareness causes that we see it much more clearly. And by practicing meditation (awareness in now), you begin to connect with this open dimension of your being. In fact, it introduces you to the unlimited spaciousness that Buddhists call Sûnyatâ (see my book Sûnyatâ Sutras). This spaciousness is also the source of love. Spaciousness is simply love. The openness and the spaciousness come from your heart, not you head. It is not neither mental nor material.

In other words: Matter (hereunder the body) and mind (hereunder thoughts, the unconscious, the psyche, subject, the content of consciousness) – are something else than consciousness itself.

If I should try to characterize this theory in traditional philosophy of mind, it would be a kind of double-aspect theory. The double-aspect theory is a type of mind-body monism. According to double-aspect theory, the mental and the material are different aspects or attributes of a unitary reality, which itself is neither mental nor material (so this is neither a materialist, nor an idealist, metaphysical theory, seen I the light of Western philosophy).

The unitary reality is the form of consciousness, an aspect which is completely neglected in traditional Western philosophy, but very commonly known in mysticism and Eastern philosophy.

In Western philosophy they have only contemplated the content of consciousness, and not the form (though Kant was very close to it with his concept of The Transcendental Apperception, the unity where the self and the world come together). They haven´t looked into the consciousness itself, as you do in meditation, but only followed its direction towards an object; what you call the intentionality of consciousness. In fact, they claim that consciousness always must have intentionality. But this is only what I refer to as the mind. Intentionality is the power of the mind to be about, to represent, or to stand for, things, properties and states of affairs.


Immanuel Kant

Meditation stops the intentionality, and directs the mind into its source, namely consciousness itself, which is one and the same as reality and wholeness. You could also say that meditation changes the consciousness from being one-directional to being bidirectional. Bidirectional consciousness means that the consciousness both is directed towards its form and its content. It is being open to the form of consciousness, aware of both magnetic poles in the field of subject-object experience. I have also called this the wholeness of the observer and the observed.

In his book Bevidsthedens Flydende Lys [The Flowing Light of Consciousness, 2008] the Danish philosopher and spiritual teacher Jes Bertelsen says, then you actually can make a fascinating comparison between Kant and the Tibetan Dzogchen master Longchenpa, because where Kant´s philosophy stops with the transcendental apperception, Longchenpa´s philosophy begins. Where Kant´s philosophy goes in the direction of the content of consciousness, and describes the categories of experience, Longchenpa´s philosophy goes in the direction of the form of consciousness, and describes the categories of enlightenment. Kant doesn´t mention the enlightened state. Longchenpa doesn´t mention the content of consciousness. Tibetan Buddhism in fact has a name for Kant´s transcendental apperception; it is called Rigpa, the knowing of the original wakefulness that is personal experience. So Kant and Longchenpa have the same starting point: the transcendental apperception, but go in two different directions. Together they could form the complete philosophy of the bidirectional consciousness: a mandala of the cosmos.


Longchenpa

As in the creation Kant moves towards the manifestation of the world, and he analyses the categories of experiencing this world. Kant suggested, that space and time were forms of experience, not outer objective relations in themselves, but fundamental common human structures. In The Inner Reaches of Outer Space, Joseph Campbell says in Chapter 1 Cosmology and the Mythic Imagination:

It was a startling experience for me, as it must have been for many others watching the television broadcast of the Apollo spaceflight immediately before that of Armstrong´s landing on the moon, when Ground Control in Houston asked, “Who´s navigating now?” and the answer that came back was, “Newton!”

I was reminded of Immanuel Kant´s discussion of space in his Prolegomena to Any Future Metaphysics, where he asks: “How is it that in this space, here, we can make judgments that we know with apodictic certainty will be valid in that space, there?”

The little module was beyond the moon. That was a part of space that no one had ever before visited. Yet the scientists in Houston knew exactly how much energy to eject from those jets, when turned in just what direction, to bring the module down from outer space to within a mile of a battleship waiting for it in Pacific Ocean.

Kant´s reply to the question was that the laws of space are known to the mind because they are of the mind. They are of a knowledge that is within us from birth. A knowledge a priori, which is only brought to recollection by apparently external circumstance. During the following flight, when Armstrong´s booted foot came down to leave its imprint on the surface of the moon, no one knew how deeply it might sink into lunar dust. That was to be knowledge a posteriori, knowledge from experience, knowledge after the event. But how to bring the module down, and how to get it up there, had been known from the beginning. Moreover, those later spacecraft that are now cruising far beyond the moon, in what is known as outer space! It is known exactly how to maneuver them, to bring messages back, to turn them around, even to correct their faults.

In other words, it then occurred to me that outer space is within inasmuch as the laws of space are within us; outer and inner space are the same.

[…]

There is a beautiful saying of Novalis: “The seat of the soul is there, where the outer and the inner worlds meet.” That is the wonderland of myth. From the outer world the senses carry images to the mind, which do not become myth, however, until there transformed by fusion with according insights, awakened as imagination from the inner world of the body. The Buddhists speak of Buddha Realms. These are planes and orders of consciousness that can be brought to mind through meditations on appropriate mythologized forms. Plato tells of universal ideas, the memory of which is lost at birth but through philosophy may be recalled. These correspond to Bastian´s “elementary ideas” and Jung´s “archetypes of the collective unconscious.”

[Here Campbell is wrong, since Jung´s archetypes are a psychological reduction of reality. The Buddha realms and Plato´s universal ideas are ontological realms, not psychological realms. Campbell is therefore himself in danger of ending in psychological reductionism. I will return to this].

In India, as noticed by Ananda K. Coomarasway, works of art representing indifferent objects, local personages and scenes, such as fill the walls and rooms of most of our museums, have been characterized as desi (“local, popular, provincial”) or as nâgara (“fashionable, worldly”) and are regarded as esthetically insignificant; whereas those representing deities or revered ancestors, such as might appear in temples or on domestic shrines, are perceived as tokens of an inward, spiritual “way” or “path,” termed mârga, which is a word derived from the vocabulary of the hunt, denoting tracks or trail of an animal, by following which the hunter comes to his quarry. Similarly, the images of deities, which are not local forms of “elementary ideas,” are footprint left, as it were, by local passages of the “Universal Self” (âtman), through contemplating which the worshiper attains “Self-rapture” (âtmânananda). A passage from Plotinus may be quoted to this point: “Not all who perceive with eyes the sensible products of art are affected alike by the same object, but if they know it for the outward portrayal of an archetype subsisting in intuition, their hearts are shaken and they recapture memory of that Original.”

[I have termed these tracks, trails and footprints as “The dreaming tracks and songlines in the artwork of Man and the Universe,” or as “the universal images in time.” They correspond to progressive karma. I have, with inspiration from Karen Blixen, termed the Original as “The Ancient”].

The unity of the self and the world, the place where the outer and the inner worlds meet, is the transcendental apperception, or Rigpa: the wholeness of the observer and the observed.

Now, if we should follow Longchenpa from the transcendental apperception, it would be in the opposite direction, in towards the Original, the categories of the unmanifested, the form of consciousness, or the enlightened mind. In the following I will follow Jes Bertelsen´s account of this.

The two main forms of practice in Dzogchen are Trekjö and Tögal. And they relate - according to Longchenpa - to the basic division between emptiness (stong pa) and appearance (snang ba). This duality goes a long way back in Indian Dzogchen and further into Indian Mahayana Buddhism. Famous is the distinction and its abolition in the Heart Sutra:

”Here, O Sariputra, form (rupam) is emptiness (Sûnyatâ) and the very emptiness is form; emptiness does not differ from form, form does not differ from emptiness, whatever is form, that is emptiness, whatever is emptiness, that is form, the same is true of feelings, perceptions, impulses and consciousness.”

Trektjö moves from the concrete formations of phenomena, thoughts and experiences, emotions and senses into the Original, into the source from which all concrete formations of phenomena, thoughts and experiences, feelings and senses come: the creative formless openness of the consciousness, the apperception's basic space.

Tögal relates to the appearances because Tögal is to see the apperception's spontaneous self-radiation without that the apperception forgets itself.

Another Dzogchen master, Tulku Urgyen, said: The Tögal visions are rig dang, the self-radiation of Rigpa. However, Tulku Urgyen continued, if there is no actual recognition of Rigpa, the visions are lung dang, manifestations of the karmic wind, pure dual fixation.

The message in Tögal is that consciousness can rest in recognition of its innermost essence. Tögal only works when the consciousness is in the Rigpa state. The visions are only Tögal visions when they are apperceptive: while the visions are happening, the observing consciousness rests in nondual apperception.

Tögal is to see with Rigpa, with apperception, to see with the nondual self-conscious consciousness beyond language.

Where Trektjö is the movement from the dual mind to the nondual wakefulness, Tögal is insight in the creation of the world. Tögal is an insight into how the world, language and mind every moment are spontaneously created by the enlightened unity-consciousness.

This process usually takes place automatical or hidden. Our dual mind does not perceive that the mind itself and the world-image are recreated and thus maintained every moment – seen from the perspective of the totally liberated unity-consciousness.

You can´t see this until you have discovered and stabilized the Rigpa-consciousness - claims Dzogchen. Every single moment's restoration of self-image and world-image can only be seen from the apperception's consciousness-dimension, the nondual wakefulness.

The Tögal visions begin by themselves when Rigpa is stabilized; that is: when the consciousness rests without effort and thought, wide awake in the unity of apperception. It seems to be a common experience that when consciousness, without a single distraction, rests in the recognition of the innermost consciousness somewhere between 5 and 10 minutes, then the apperception will begin to perceive the flowing light.

Most often the unfolding process begins with spots or particles of light in the dimension of apperception.

After the end of the state, when the dual mind and language want to describe these apperceptive light particles, the mind will locate them: in the heart, in the center line, in the pineal gland, in the focus point of consciousness, in the infinite blue sky. However, these Tögal points of light are embraced by the apperception. They are in the Rigpa dimension, and they are permeated by Rigpa. They are therefore only dual or analogue localizable. Our ordinary dual mind would - in connection with the registration, or just the description, of such a light particle - be tempted to explain, for example, a focus point of attention, a center of a symbolic circle, an energy whirl, a mandala or a cosmic point; that is: a point in a wholeness that gives access to the information of that wholeness. Or the mind would locate the event to a practice point, a point of Rigpa, a point of origination, or perhaps to the unity point of the apperception.

If the nondual consciousness-continuum does not distract from these flashes of light and bright particles, they will develop by themselves. First, they form strings or chains or pearls of light points. Longchenpa calls them Vajra chains (rdo rje lu gu rgyad).

The dual mind´s association series may be: association chains - thought chains - molecular chains - DNA strings - superstrings - the center line with its chakra spots - light beams - sun beams.

When the light points subsequently have been localized in the heart, in the center line or in the infinity of the consciousness, these chains of light will afterwards naturally be located in the center line or in the outer blue infinity.

When the localization is situated in the central channel, it appears crystal-clear. Longchenpa calls this situation the Kati-crystal channel (ka ti shel sbugs) and describes the crystal-light´s flowing apperceptive dynamics as follows:

"As crystal-light collected inside, stay in Dharmakaya, the basic space of origin."

The essential is the constant, relaxed stay in un-distracted Rigpa-continuity.

Distraction - language, comments, associations, experience-production, loss of apperceptive wakefulness into dual consciousness - transforms the situation qualitatively from nondual consciousness to the common dual mind, now filled with so-called spiritual experiences with their blend of imagination, healing, inspiration and what in today's language is called self-assertion: nutrition and air to the ego.

Here, the situation turns around and goes towards Kant, Campbell, and religious interpretations. There is nothing wrong in this, except that you lose the direction towards enlightenment. The danger is spiritual crises and misinterpretations, or blends of personal, collective and universal images. The latter is what happens, for example, in a psychedelic trip. I have described this in my booklet The Psychedelic Experience versus The Mystical Experience. This has especially to do with the reduction (mix) of ontological realms (universal and collective images) to psychological realms (personal images). We saw that Campbell, due to his inspiration from Jung, tended towards this.

Campbell´s theory is exceedingly conservative and founded on a deep nostalgia: for him, the cure for modern problems is found by returning to earlier notions of spirituality and moral virtue. In promoting a “living mythology,” Campbell harkens back to a lost “golden age” from which we have fallen, but to which we can return with effort and guidance of a “sage.” It is a reductionism, a psychologism. And herewith there is the danger of ending in idealism, and the same psychologizing, emotionalizing and therapeutizing ideology of our society, which New Age and Self-help stand for.

As I showed above, I supply this with my own metaphysical double-aspect theory, and with this a philosophical principle, namely to examine, whether the karmic talk and experiences of the “experts” and their clients remove their energy-investments in the actual reality. If focus is displaced backwards, then the collective time has taken over and spiritual seen there therefore happens an escape. Such an escape is seen both in Freud, Jung, Rank, Grof, Janov, Campbell, rebirthing, regression. None of these people and theories can therefore be said to work spiritual. And if they use the karma idea in that way, it is no longer a spiritual help, it is a collective displacement of the focus backwards in time and therewith out of reality and into the unreality of the collective time.

But what if we continue along Longchenpa´s path? In the foregoing we have described  (with Jes Bertelsen as a guide) the development of the Tögal visions from one point to a chain or line of points. The next step is the spread of colours, as light, which breaks in a crystal, forming rainbow lights. Afterwards, when the dual mind takes over with language and division, this state is usually located in the heart, in the eyes or in the infinity of space. This spread of colour-shades expands to a general bright transparent quality of the apperception's space-like widen dimension as such.

When this last step has been reached, the spontaneous self-radiance of Rigpa unfolds in the Tögal visions: the enlightened apperceptive direct perception of Man, the world, the cosmos, as flowing unlimited light, transparency and rainbow light, permeated by the cohesion of compassion and love. 

Enlightenment has happened. 

Related books:

Bevidstheden Flydende lys [The Flowing Light of Consciousness, 2008], by Jes Bertelsen

Sûnyatâ Sutras, by Morten Tolboll

Krishnamurti´s Notebook -free download (Krishnamurti had daily experiences of the flowing light, which he called different names such as: presence, benediction, immensity, sacredness, or simply The Other or The Otherness. In his Notebook he, in an exceptional poetic way, described these experiences blended with descriptions of nature).

Related article:


Metaphysics. Ontology; Part 1: The Problem of Mind, from my online book Philosophical Counseling withTolkien (here I describe my concept of the metaphysical double-aspect theory).


Related booklets:

Atheist Fundamentalism (my notion of the double-aspect theory is described in the last part).


Related pop culture file:

Star Wars (here I explain my own space mythology seen in relation to Campbell´s monomyth and the Star Wars space mythology).

Related articles:

The Hero´s Journey (Campbell´s monomyth).

The Philosophy of Karen Blixen (her concept of the Ancient corresponds more or less to the Buddhist concept of the Original – and she seemed to radiate a very high degree of spiritual insight).


Monday, January 15, 2018

The Orchid Pavilion


With the words of the great Chinese life-philosopher and idler, Lin Yutang, I call myself an apostle of loafing. Look at what the wisdom of the art of loafing has given us. Chinese literary tradition is rife with the jottings of non-achievers – the cultured vagabond, the scholar recluse, the Taoist wanderer. Already in 500BC, the sage Lao Tzu recommended that one should “never be the first in the world”. Only he who is not wanted by the public can be a carefree individual, runs the Taoist adage. The importance of living is peopled with educated dropouts – for instance poets such as Su Tungpo and Tao Yüanming; Su, who sang about “the clear breeze over the river and the clear moon over the mountains”, and Tao, who sang about “the hen, which rested in the top of a mulberry tree”.

After having followed the Beatwriters´ way of living for a period, then these Chinese kinds of dropouts have become the new great source of inspiration in my life.

Like Lin Yutang I actually see the art of loafing as democratic in its nature. But, as Walt Whitman is pointing out in his Democratic Vistas – it is the ideal of free men and women in the Now, not the ideal of the democratic progress or improvement (today Consumer Capitalism and the growth fanatism of the self-help industry) - just look at Laurence Sterne on his “sensitive journey”, or at Wordsworth and Coleridge, wandering on foot through Europe, with a great sence of beauty in their hearts, but with a very few money.

The philosophical refined pleasure in the art of loafing is something, which costs much less than the lust for luxury. The only thing the pleasure of loafing requires is a creative emptiness, a life enjoyed as it is lived. Play without reason; travel to see nothing; a perfectly useless afternoon spent in a perfectly useless manner – these are the kind of activities that redeem the art of living from the business of living, which also Henry David Thoreau has shown in his Walden, where he describes his life in the woods, retired from the world´s ups and downs.

Look at nature! All nature loafs, while Man alone works for a living!

Today I have retired to Rold Forest, where I participate in the joys of conversation on a moonlit night; to be in the middle of a joyful gathering of happy friends, like in Wang Hsichih´s immortal little essay The Orchid Pavilion.

The Orchid Pavilion Gathering of 353 CE was a cultural and poetic event during the Six Dynasties era, in China. This event itself has a certain inherent and poetic interest in regard to the development of landscape poetry and the philosophical ideas of Chuang-Tze. 

The Orchid Pavilion Gathering of 42 literati included Xie An and Sun Chuo and Wang Pin-Chih at the Orchid Pavilion on Mount Kuaiji just south of Kuaiji (present-day Shaoxing in Zhejiang), during the Spring Purification Festival, on the third day of the third month, to compose poems and enjoy huangjiu (yellow wine). The gentlemen had engaged in a drinking contest: rice-wine cups were floated down a small winding creek as the men sat along its banks; whenever a cup stopped, the man closest to the cup was required to empty it and write a poem. This was known as "floating goblets.”

In the end, twenty-six of the participants composed thirty-seven poems.

The Orchid Pavilion Gathering was an example of what´s today called philosophical counseling and cafés.

The Art of Loafing seems to tell something essential about human nature. It is echoed in many cultural connections. It for example reminds about what in ancient Greece was called the symposium, a part of a banquet that took place after the meal, when drinking for pleasure was accompanied by music, dancing, recitals, or conversation. Literary works that describe or take place at a symposium include two Socratic dialogues, Plato's Symposium and Xenophon's Symposium, as well as a number of Greek poems such as the elegies of Theognis of Megara. Symposia are depicted in Greek and Etruscan art that shows similar scenes.


Epicurus (341-270 b.c.) was a Greek philosopher and Life Artist, who contrary to most other Hellenistic philosophers, was Athenian citizen. His place of birth was however on the island Samos by the seaside of Asia Minor, and on this, and on the other, cultural seen, rich islands in the eastern Aegean Sea, Epicurus came in contact with Philosophical traditions, that hardly was alive in Athens; especially the thoughts of the great philosopher of nature, Democritus.

Epicurus left Samos after having stepped his philosophical child-shoes on the island, and established as philosopher on the island Lesbos. However he was banished from the island because of his viewpoints. In 307 he travelled to Athens with the mental ballast, that he was Athenian citizen; this meant that he, contrary to the other philosophical schools, had the right to own land in Athens itself.

Epicurus established one of two central schools in Athens. It was in constant sharp opposition to the Stoics. I will not go deeper into the philosophical opposites, just mention, that philosophy of nature was central in Epicurus, whilst the Stoics had a concept of a god, which in them was the central. But both are common in the view of philosophy as an art of life.

The school of Epicurus was called The Garden, and since then the concept ”to cultivate your garden” has in European way of thinking been synonymous with living a life retired from the world´s ups and downs, to give up all ambitions about social status. This is a completely central aspect in my own way of life.

Epicurus had a real garden, a kitchen garden with vegetables, and to that he retired, and lived of own productions. It was an attempt to avoid the bindings of the world, just like the Stoics, but in quite another way. The Stoics were radically extroverted, and went into Athen´s central buildings, where they, among the cloisters, forced themselves speach access to the citizens, whereas Epicurus retired, and avoided all kind of – also political – debate. As he said: “Live in secret!”


 In his garden he realized his own life-ideal: together with friends and pupils to live a life in silent peace and joy, in peace to cultivate his garden and his needs, afar from the world´s noise and political quarrel. It was a kind of philosophical commune, which stood open for all sections of population and for both sexes, and where the master with his friends practised, what they taught. The teaching of Epicurus is in other words a way of life, a teaching, which puts undisturbed happiness and refined pleasure up as the supreme good.

The Right to be Lazy is an essay by Cuban-born French revolutionary Marxist Paul Lafargue, written from his London exile in 1880. The essay polemicizes heavily against then-contemporary liberal, conservative, Christian and even socialist ideas of work. Lafargue criticizes these ideas from a Marxist perspective as dogmatic and ultimately false by portraying the degeneration and enslavement of human existence when being subsumed under the primacy of the "right to work", and argues that laziness, combined with human creativity, is an important source of human progress.

He manifests that "When, in our civilized Europe, we would find a trace of the native beauty of man, we must go seek it in the nations where economic prejudices have not yet uprooted the hatred of work...The Greeks in their era of greatness had only contempt for work: their slaves alone were permitted to labor: the free man knew only exercises for the body and mind...The philosophers of antiquity taught contempt for work, that degradation of the free man, the poets sang of idleness, that gift from the Gods." And so he says "Proletarians, brutalized by the dogma of work, listen to the voice of these philosophers, which has been concealed from you with jealous care: A citizen who gives his labor for money degrades himself to the rank of slaves." (The last sentence a quote from Cicero.). However, Marx himself condemned these ideas.

In his essay The Abolition of Work, the anarchist Bob Black argues for the abolition of the producer- and consumer-based society, where, Black contends, all of life is devoted to the production and consumption of commodities.

Attacking Marxist state socialism as much as market capitalism, Black argues that the only way for humans to be free is to reclaim their time from jobs and employment, instead turning necessary subsistence tasks into free play done voluntarily – an approach referred to as "ludic". The essay argues that "no-one should ever work", because work – defined as compulsory productive activity enforced by economic or political means – is the source of most of the misery in the world.

Play, in contrast, is not necessarily rule-governed, and is performed voluntarily, in complete freedom, as a gift economy. He points out that hunter-gatherer societies are typified by play, a view he backs up with the work of Marshall Sahlins; he recounts the rise of hierarchal societies, through which work is cumulatively imposed, so that the compulsive work of today would seem incomprehensibly oppressive even to ancients and medieval peasants. He responds to the view that "work," if not simply effort or energy, is necessary to get important but unpleasant tasks done, by claiming that first of all, most important tasks can be rendered ludic, or "salvaged" by being turned into game-like and craft-like activities, and secondly that the vast majority of work does not need doing at all. The latter tasks are unnecessary because they only serve functions of commerce and social control that exist only to maintain the work-system as a whole. 

These ideas are important in my own philosophy of idleness. If I should mention a modern English idler, which promotes all the qualities of an idle way of life, you could mention Tom Hodgkinson (born 1968). His philosophy, in his published books and articles, is of a relaxed approach to life, enjoying it as it comes rather than toiling for an imagined better future. Together with his friend Gavin Pretor-Pinney he founded The Idler which is a bi-yearly British magazine devoted to promoting its ethos of 'idle living' and all that entails (read an additional account on idleness in my pop culture files on The Hobbit and The Big Lebowski).

Ronald Hutton´s book The Rise and Fall of Merry England: The Ritual Year 1400-1700 demonstrates how the festive culture of the Middle Ages was gradually eroded by the Reformation and the Puritans. It was in this merry time the legend of Robin Hood was formed. Robin Hood is a heroic outlaw in English folklore who, according to legend, was a highly skilled archer and swordsman. Traditionally depicted as being dressed in Lincoln green, he is often portrayed as "robbing from the rich and giving to the poor" alongside his band of Merry Men. Robin Hood became a popular folk figure in the late-medieval period, and continues to be widely represented in literature, films and television. In The Hobbit we discover that this idea of gift economy is shared by Bilbo Baggins, who gives most of his treasures away. Also it is seen in the hobbit custom of giving presents when they celebrate their birthdays, instead of receiving them.

And Max Weber´s book The Protestant Ethic and the Spirit of Capitalism shows how the competitive Protestants booted out the co-operative Catholics; it shows how a new ethic based on work and earning a lot of money came to replace, in the eighteenth century, the old medieval ethic, which was based on mutual aid. The medieval culture (which wrongly are depicted as a dark age by the Protestant work ethic) combined a love of Jesus, who preached idleness, and a love of Aristotle, who argued that contemplation led to happiness. (I would recommend this book to anyone who wants to banish their guilt around work).

The Chinese dropouts and the Epicurean attitude became a central inspiration for my own life, my teaching, my kind of philosophical counseling and cafés.

It is a passive way of meditation, a non-acting, receptive receiving, relaxed, enjoying, easy laid-back holyday-like kind of awareness, as when you listen to the birds or the breeze in the trees.

So today I live like a kind of philosophical mendicant friar, in poverty, chastity and obedience to some philosophical principles. I began to ask people the question: What philosophy of life would you choose if money was no object?

As the man who quit money, Daniel Suelo, says: “Wild Nature, outside commercial civilization, runs on gift economy: ´freely give, freely receive.´ Thus it is balanced. Commercial civilization runs on consciousness of credit and debt; thus it is imbalanced. What nation can even balance its own budget or environment? Gift Economy is Faith, Grace, Love - the core message of every religion. The proof is inside you: Wild Nature is your True Nature, crucified by commercial civilization.”

Following this philosophy of gift economy (freely give, freely receive) all my services (including philosophical counseling and cafés) are free of charge. All my articles and books are available in free PDF Versions.

I earn my living from what people give me (the “freely give, freely receive,” philosophy) and what the society can offer in form of social security benefit (which I see in the light of a kind of “Robin Hood-philosophy”). This is sometimes not very popular, but as I have mentioned, sometimes you have to be a kind of spiritual anarchist, a philosophical rebel, if you want to live in accordance with your calling in life. And not so different from how monks and nuns, or artists, always have lived.

Krishnamurti said, that it would be wise to retire in the age of 40 or 45, or even younger. Not in order to enjoy the fruits of what the world can offer, or what you have gathered of wordly things, but retire in order to find yourself, to think and feel deeply, to meditate and discover reality; because then you would actually be able to help the world in quite another way, because you not are identified with it. An insider in society is namely an outsider in relation to life itself, while an outsider in relation to society, is an insider in life itself.

My art of living is an idle philosophy born of an idle life. And if my life raises the suspicion of lolling, then look at my actions. I am trying to help people, and are favouring a person who would react freely and incalculably to external circumstances, pitting their individual liberty against the process of society: the little man eluding the clutches of the traffic warden.

Related Blog Post: 

On The Nature of Longing 

Related links:

Friday, January 12, 2018

A Brush from the Dawn of Creation


The mystical experience.

It doesn't come from your head. It unfolds from you heart like a flower.

It is a sense of an ancient shape beyond impermanence. It is a brush from the dawn of creation.

It can move behind a poem, a moonbeam, a memory of a childhood´s summer morning.

It is innocent. It doesn't obey. If you try to catch it, it dissapears like a butterfly.

And yet it is closer to you than your own thoughts.

There is a strange recognition when sensing it. You have known this in a forgotten time.

It can move behind historical places, but it is not history. It gives meaning to past and future, but it is not of time.

It is an invisible image accompanied by a soundless music.

It has no cause but leaves a sweetness on the tongue, a wonder in the heart.

It makes you long after breaking with the ordinary, and reaching into the extraordinary.

You must find it again and express it.

It is the self-portrait which came into being before yourself. 

Related blog post: 

What is a Life Artist?