It was in 1990. I had just left my work in Harrods in London in order to
pursue a life of freedom and adventure.
Together with three friends of mine, we drove from Denmark to Greece in an
old Volvo Amazon. Listening to “Have You Ever Seen the Rain” by Creedence Clearwater
Revival, and other counterculture music, we followed a route down through Italy
to Brindisi, where we took a ferry to Corfu.
On Corfu we drove to Pelekas. Pelekas village is lying on the top of a mountain.
From certain cafés you can view across
the island to the mountains of Albania and the Greek mainland.
Below
the village there are sandy beaches and traditional tavernas, fringed by
timeless olive groves. We rented some rooms at Hotel Rolling Stone. Rolling
Stone is one of the hidden gems of Pelekas Beach (also known as Kontogialos). There
was a panoramic view of the Ionian Sea and its coastline. The few nights we
spend here we mostly chilled out on sunbeds or sofas while gazing at the stars
and telling stories.
Pelekas beach has been
subjected to the specter of mass unrestricted tourism ever since the 1960s and
has ever since been a favorite destination for backpackers. Not the 'hippy
paradise' it was in the '70s and '80s, outside the high season in August it is
still a quiet and beautiful spot.
We also went for parties in
the village. Apparently Pelekas was a popular holyday place for the Italians. I
met a Sicilian girl, Gigia. She was always dressed in colorful dresses, and had
white flowers in her black hair.
I invited her to a BBQ evening
at Rolling Stone with fresh fish, grilled meats, tasty local food and homemade
wine - inevitably leading to much dancing and partying!
There was also an old hippie
living at Rolling Stone, a person who still lived like an eternal traveler. He could sit at the taverna's long table and swap stories of his recent
experiences in Goa, Malindi, Phuket, Bali, Kathmandu or Cuzco over dinner.
Suddenly he would produce a guitar and play songs from his favorite
band, The Guess Who. I especially remember the number, Silver Bird:
Rushing in, in the early
morning and you're wondering.
Got a minute for another cup of coffee before you run.
And the silver bird is gone,
and you wonder where you belong.
Got a minute for another cup of coffee before you run.
And the silver bird is gone,
and you wonder where you belong.
Get a smile from the
pretty waitress as she passes by.
She's the kind of person that could make you forget to cry.
And the silver bird is gone,
and you wonder where you belong.
She's the kind of person that could make you forget to cry.
And the silver bird is gone,
and you wonder where you belong.
Tell me where do you go
from here?
Where do you belong my friend?
Tell me where do you run from here?
You've been running too long, my friend.
Where do you belong my friend?
Tell me where do you run from here?
You've been running too long, my friend.
One night, when
I sat in one of the sofas with Gigia, she asked me to follow her down to the
beach. While the cicadas still buzzed and the air was full of scents of jasmine
and wild herbs, she told a local legend about
a group of rocks which we could see a few hundred metres from the beach. The
story says that during a local wedding pirates landed on the beach, climbed up
to the village and abducted the bride. As they carried her off, her
distraught mother shrieked out a curse, saying, "I wish my daughter to be
turned to stone so the waves will caress her rather than the hands of the
unfaithful". Immediately the girl, the ship and the pirates were turned
into rocks. Gigia said: “and even today, if you look closely, it's still
possible to see them all close to the shore. Look!”
Gigia could ask me questions
such as: “Do you believe there exist other worlds? Do you believe in the
supernatural? Do you believe in magic?”
She could whisper in my ear:
“I believe you are a
shapeshifter. I believe you turn into a bird when you are sleeping and fly to distant gardens and
sing for longing girls.”
But one day the owner
came and warned me:
“Look, you have to be careful
with that girl. She is the daughter of one
of the most notorious mafia bosses on Sicily. There are some very suspicious
looking people on the look for you.”
We decided to leave Corfu the next
morning, and we succeeded in getting the car on board a ferry to Athens. In
Athens we parked the car and got on a ferry to the “Rock´n Roll Island” Ios. We
were still walking in the footsteps of the hippies, but I had a nagging feeling of having failed Gigia.
We
stayed at Mylopotas Beach. It is nearly a kilometre long of white sand and warm
torquoise water protected by points on either side that make up the bay. It was
the same beach that Cat Stevens used to give free concerts on for the hippies
that frequented Ios in the sixties and seventies. You start the party here and end up at night in the
main village Chora with its open air theatres that function as Rock ’n’ Roll
dance palaces – the dance palaces of demons and angels under the stars.
In
the day time I was reading The Colossos of Maroussi, by Henry
Miller.
Like the ancient colossus that stood over the harbor of Rhodes, this
book stands as a seminal classic in travel literature. The book Miller would
later cite as his favorite began with a young woman’s seductive description of
Greece. Miller
headed out with his friend Lawrence Durrell to explore the Grecian countryside: a flock of
sheep nearly tramples the two as they lie naked on a beach; the Greek poet
Katsimbalis, the “colossus” of Miller’s book, stirs every rooster within
earshot of the Acropolis with his own loud crowing; cold hard-boiled eggs are
warmed in a village’s single stove, and they stay in hotels that “have seen
better days, but which have an aroma of the past.”
Lawrence Durrell is the author
of The Alexandria Quartet, at heart a sensuous and brilliant evocation
of wartime Egypt. Durrell lived on Corfu between 1935-1939, and spent many
years thereafter living around the world. A traveler at heart. He made Miller discover, that the
dream and the reality, the historical and the mythological, were so artfully
blended in Greece, and that this confusion is real and not due entirely to the
poetic faculty.
If I should answer Gigia´s questions, then I was fascinated by people like Durrell and Miller, since I was obsessed by poetry. Not only the art of writing poetry, but poetry in the sense of magic; the magic of a place, a person, an event, etc.
If I should answer Gigia´s questions, then I was fascinated by people like Durrell and Miller, since I was obsessed by poetry. Not only the art of writing poetry, but poetry in the sense of magic; the magic of a place, a person, an event, etc.
On Ios I was heavily influenced by this sense of poetry, or magic. Maybe not so strange after all, because the grave of Homer is located there. And I knew I had to pay the grave a visit and bring something back from it.
In his fairy tale, A Rose from Homer´s Grave, Hans Christian Andersen wrote about a nightingale which came and sang to a rose on Homer´s grave, because:
Through all the songs of the
east, the eternal theme is the nightingale's love for the rose. In the silent, starlit nights, the winged songster
sings his serenade to his beautiful scented flower.
and
to the rose on Homer´s grave the nightingale poured out its song of grief. Andersen
writes:
But
the rose on Homer´s grave was silent; no dewdrop lay like a tear of pity on her
petals, and with the branch on which she grew, she bent down toward a heap of
large stones.
"Here
lies the sweetest singer the world has ever heard," said the rose proudly.
"I will scent his grave, and when the storms tear off my petals, they
shall fall on him. For the singer of the Iliad returned to this good earth
whence I sprang! I, a rose from Homer's grave, am too sacred a bloom for a poor
mere nightingale!"
And
the nightingale sang himself to death.
But then there comes a singer “from
the north. From the land of drifting mists and crackling northern lights”, and,
carried “her off with him to his distant home of mists and northern lights. The
rose rests now like a mummy between the leaves of his Iliad.”
I decided to go to the grave
and bring something back. However, there were no roses, but I brought back a
small stone.
While sitting at the Far Out
café at the beach, we often listened to David Bowie, who certainly was a person
with a magical touch. The mystique of Bowie´s persona (s) is what we felt when we
listened to numbers such as Starman and Life on Mars?
Bowie´s popularity on Ios had
a reason. From the beach we could see Cat Stevens´ strange house with a surrealistic
full-size sculpture of Pegasus, the winged horse from Greek mythology. The
urban legends of Ios said that Bowie also had owned this house, or at least,
that he was a frequent guest there. It is also said that it is owned by Bob Dylan, well in fact, a lot of rock stars is said to have owned the house.
The house was lying on the rocks near the
water some hundred meters out in the bay.
One day we went out to it on a
pedalo. In a nearby servants house we could
see a few people dressed in black robes. We could hear quiet classical music
streaming out over the water. We made a berth beneath the main house, and walked
up and looked in through the windows. The living room was build into the rock,
like a cave, and there were exclusive furniture and…art; sculptures and
paintings which all depicted satanic scenes.
To my surprise I saw a painting
of a falconry scene. A goddess-like figure stood with a falcon on her arm. The
figure looked familiar. At first, I thought it was the hunting goddess Diana,
but at second look, it looked like Gigia. But maybe I was too influenced by the
poetry of the house.
When we were sailing back, we
talked about that the house perhaps belonged to the Italian mafia.
In the evening, in the
village, we actually spotted some of the guys from Corfu. One of my friends
began to get paranoid:
“I don´t want to stay here
anymore. It is the mafia, and they will kill us and dump us in the ocean.”
I said:
”Hardly. We haven´t done
anything.”
Another of my friends said to
me:
“We? Not us. You! It is you
they are after. It is Gigia, who has ordered them to bring you back, so that
she can keep you in a cage on Sicily.”
“Very funny!” I said.
But we decided to leave. It
was time to go back to Denmark anyway, and, completely irrationally, we decided
it would be wise not to follow the route up through Italy. Instead we chose to
follow a route up through Yugoslavia.
In Dubrovnik we decided to
follow the costal road by the crystal Adriatic Sea. But we got caught in a traffic
jam. There is a long stretch of Mountains which separate the fertile inland
plain from the narrow, rocky Adriatic coastline. On a map we could see a road leading
up through the mountainous regions to the highway on the inland.
When we reached the top of the
mountain, it was beginning to get darker. There was a mist hanging among the
trees on the mountainside leading down on the other side. We stopped the car and went out. Complete silence. The wind increased
and heavy rain clouds were gliding in front of the setting sun. Just before the
sun disappeared, I believe I saw the silhouette of a bird of prey. Then we
heard it´s shriek.
We all had a sense of the forest
watching us, and I said, that we better started driving down the mountain
before it was getting dark.
As we drove down it began to
rain heavily, and the wind got stronger. A gust blew one of the windshield
wipers off, so that the driver couldn´t see anything. We stopped the car, and went out to fix it. We couldn´t.
To our wonder, we discovered that the earth was filled with frogs. It was impossible to walk or drive without crushing some.
Another car
passed us, and we decided to follow it´s red back lights, just to get away from the strange place. We jumped into the car, and started the chase. But then the other car was speeding
up. My friend, who was driving, said:
“I can´t follow it, this is
too hazardous!”
But he did, and finally we drove
into a small village at the foot of the mountain. The gasoline was low, and we couldn´t
find any gasoline station. We went into an Inn where the lights were on. The
room was filled with smoke and there was a fireplace and a few tables with some
local men. They looked up, almost terrified. As if we weren´t humans, but
something else.
But then they relaxed. No one
could speak English, but they managed to direct us towards a gasoline station,
which would be open the next day. We spend the night in the car.
We succeeded in coming back to
Denmark in our old Volvo Amazon with only one windshield wiper intact. Luckily it
didn´t began to rain.
Half a year later, the war in Yugoslavia
began.
…
Every time I´m telling this
story, I do as the pilgrims do. I go to my pilgrimage altar, bring back my boon, a
copy of the Iliad, with a bookmark made of a leather string. At the end is
hanging a small stone. I point at the stone and say:
“Look, here is the stone from
Homer´s grave”.
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